In “Quilty Pleasures,” Josh and Emily inadvertently sell their souls to strange British street urchins in order to turn in a school quilting project for Candice in “The Perfect House,” Emily’s vicarious pleasure of visiting open houses spirals out of control when she becomes trapped in a sitcom with a fake family In “Logan’s Run’d,” the three roommates go to a nightclub from hell for anyone over 30 and, in “Room Parent,” Josh falls prey to a female con artist after inadvertently volunteering to be a room parent at Candice’s school. The series once again feeds off Quintel’s personal experiences, from using the exact floor plan of his old apartment to family sacrifices, only with nightmarish results that seem to erupt from the worst fears about becoming a responsible adult. In “Close Enough,” millennial couple, Josh (Quintel) and Emily (Gabrielle Walsh), live in an LA duplex in Silver Lake with their five-year-old daughter, Candice (Jessica DiCicco), and their two divorced best friends, Alex (Jason Mantzoukas) and Bridgette (Kimiko Glenn). Olsen, featuring the smooth, sweet brand of music which most Blue Room patrons favor, ran into a few rough spots on the opening show when e tempo was either. “I got to use the ‘Regular Show’ crew to flesh it out more, and we came up with a couple of scripts and short sizzle reel revealed at Comic-Con in 2017,” he said. The series was shelved as a result of the WarnerMedia merger before winding up last year at the new streamer. Luckily, it’s been a smooth transition producing the series at Cartoon Network Studios and Saerom Animation in Korea, despite the fact that Quintel first developed it at TBS in 2017.
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